10. The Phantom of the Opera… as seen in Phantom of the Opera (1925)
Even some 90 years later the image of the Phantom as he is first revealed in the classic Lon Chaney silent version is an indelible image that still possesses the power to repulse and shock, so one can only imagine the impact it had in its day.
9. Norman Bates… as seen in Psycho (1960)
Oh mother! Another classic that still retains all of its power to this day, even if you know the true identity of the murderer, it is still an impressive reveal, and is one of double proportions if you count Mrs Bates in the rocking chair and that swinging light bulb!
8. Doctor Who… as seen in Doctor Who (1963 – Present)
No matter the Doctor, no matter the transformation, the regeneration of one Doctor to the next has always made for must see television. For me the most memorable has to be Tom Baker falling off a giant satellite dish and turning into Peter Davison via some bizarre figure dressed in white (dunno either) to the most emotional, that of David Tennant into Matt Smith. Tennant pretty much was the Doctor so we really felt his emotional exit and the humility he brought to his final moments, moments that had been deftly built over the course of a year of specials and three final episodes. This really was the end of an era as it also spelt the end of show head writer, Russell T Davies, who clearly left no emotional stone unturned.
7. An ape on horseback… as seen in Planet of the Apes (1968)
We are as gobsmacked as Chuck Heston and his fellow astronauts when the hunting horns bellow to the crescendo of horse hooves and the sight of apes on horseback with ruddy rifles. It’s the first reveal that Heston and co are on a whole darned planet of them. As shocking and memorable as the final Statue of Liberty shot is, for me, it is this first stark reveal that truly sets the tone for all that follows.
6. James Bond… as seen in On Her Majesty’s Secret Service (1969)
Connery had gone, James Bond was dead…but long live James Bond as another actor filled his shoes, namely George Lazenby. I can hardly comprehend on what the mammoth search for Bond must have been like or the anticipation of a new actor filling the role that Sean Connery had made his own. Cleverly, we are teased by the filmmakers who show us glimpses of Bond here and there in his rear view mirror behind the wheel of his beloved Aston Martin DB5 as he drives onto a beach to rescue a damsel in distress from some thugs. Once the villains are dispatched and the woman runs off and drives away in her car. Bond stands up and wryly talking directly to camera, the only time this ever happens, says to the audience as much as to himself: “This never happened to the other fellow!” A text book physical reveal that has rarely, if ever been bettered.
5. A Body Snatcher… as seen in Invasion of the Body Snatchers (1978)
It’s the final reel of the film and we are just relieved to see that Donald Sutherland, despite his Hair Bear Bunch barnet, is safe and not been nobbled by the pod people, but wait. He stops as Veronica Cartwright approaches, points, eyes roll and mouth opens distinctly inhuman like to let out one of the most chilling sounds and images ever to greet cinema going audiences. ‘They’ had finally caught up with him. The screen freezes and that image of Donald stays with you for ages after you first see it.
4. A Chest Burster… as seen in Alien (1979)
We know that John Hurt seriously hurts when he is flung around the Nostromo and that all is not well with his belly, in what is surely one of cinema’s greatest ever entrances as the aptly named chest burster, doing exactly what it says on the tin, and promptly shrieking as it exits Hurt’s body and splattering the white exterior crimson red. Primal stuff.
3. The Thing… as seen in The Thing (1982)
In the end the reveal is a massive relief of sorts, as you feel the anguish and paranoia of all the scientists and researchers sat on the chairs strapped to each other. We know the reveal is coming, but like those men on the chairs, we do not know when it is coming or from whom and we certainly aren’t prepared for what follows.
2. Doug Quaid… as seen in Total Recall (1990)
One of Arnie’s true classics I am of course talking about Arnie’s disguise as an overweight middle aged woman – thankfully not him in drag in the risible Junior – to get him through security before ‘she’ ends up with a facial tick of sorts only for her head to fall off and Arnie to step out from her as she opens up, with her head exploding as a bomb, as you do, with the immortal line “get ready for a surprise!” prior to detonation.
1. Keyzer Soze… as seen in The Usual Suspects (1995)
Who’d have thunk that weedy little Kevin Spacey was the murderous criminal mastermind behind it all. As ‘Verbal Kint’ states: “The greatest trick the devil ever pulled was convincing the world that he never existed.” It’s a bravura performance that doesn’t need prosthetics or a fake accent to pull it off. Spacey dragging his foot one moment, then walking normally the next and then miraculously regaining the use of his withered hand is misdirection of the highest order and never fails to delight. It is unsurprising that Spacey won a best-supporting actor Oscar for his mesmerizingly understated performance.