Tag Archives: An American Werewolf in London

The Dead Zone #30DaysOfFright

English teacher Johnny Smith (an electric Christopher Walken) is involved in a car accident that puts him in a coma. He awakes five years later to a changed world, he’s lost his job and the woman he loves, but he also has changed gifts. He can now see into the future (and past) of individuals he comes into contact with and touches, using it for good he can make a difference but can he change the course of history that has yet to be written?

dead5Less horror and more tragi-supernatural thriller, The Dead Zone, for me, is my favourite Stephen King adaptation. I loved the poster and VHS box for it as well, it always intrigued me, both design and title. It’s a firm favourite.

The restrained direction of David Cronenberg plays a huge part in that, as does the script by the late Jeffrey Boam (who also penned The Lost Boys, Indiana Jones and the Last Crusade and Lethal Weapon 2) and the score by Michael Kamen.

dead4It never fails to hook you and Christopher Walken, in my favourite screen role of his, is utterly compelling and heartbreaking. I’m surprised that there wasn’t an Oscar nomination in the offing for his portrayal, perhaps it is more to do with the genre he was acting in? In many ways he is as cursed as David Kessler in An American Werewolf on London, an ordinary man changed by circumstances not of his choosing, then put in an extraordinary situation and having to make a choice.

dead2The Dead Zone has always been gripping, full of one man’s sadness and of intrigue with flashes of horror. That horror and sadness is perfectly etched on Walken’s face and delivery. When we see his visions we feel his pain, the fire, the fall under the ice – “the ice is gonna break” scene is a powerhouse delivery – and the serial killer.

You could almost say that Walken is something of a superhero, a mutant, think of M. Night Shyamalan’s Unbreakable with Bruce Willis and Samuel L Jackson as something of a distant cousin.

dead7With his pale granite white face, Walken is a picture of loss and sadness, still carrying a limp from his accident its a physical echo of his continual mental pain and suffering ultimately knows his own destiny and cuts a pained figure of sadness, lost love and genuinely heartbreaking. You really feel for him and want to save him like he saves others, in many ways his disability is akin to say the film version of The Elephant Man and so is the rapport he has with Herbert Lom, like Hurt did with Hopkins.

Walkman may chew the scenery but it is with real vigour and senselessness, he is a man who can see into the future and past yet not change either his past or future. And that scenery of snow and bleakness and of dark tunnels only adds to the feeling of loneliness.

It’s a powerful film that long lingers after the credits have rolled and although some at the time claimed Cronenberg had deserted the strangeness of Scanners and Videodrome and gone mainstream. In his other mainstream horror, The Fly, that was also very much a tragic love story as well.

The Dead Zone still packs a memorable, powerful punch, especially when it comes to the visions. If you are going to watch this ensure it is the unedited version and the special edition DVD has a great commentary by Kim Newman.

dead3Some would call his second sight as blessing, others a curse. It’s a great moral tale of a man who once had everything but lost it now has the power to forte the future even though he does not have one. He and his ‘gift’ is given purpose however when he discovers he must stop Presidential Candidate Gregg Stillson, played with great zeal by Martin Sheen.

He had of course previously played Kennedy so had presidential down to pay, and would of course go onto hold office in The West Wing. You can’t help thinking he’s a little too Donald Trump though – talk about eerie premonitions. His vision sees Stillson flying the nukes, a madman in the Whitehouse.

As well as Sheen there is excellent support from Brooke Adams, the former girlfriend, Tom Skerritt as a local sheriff investigating a murder, Anthony Zerbe and the fine Herbert Lom as Smith’s Doctor.

dead10If you haven’t seen The Dead Zone, or only the TV series with Anthony Michael Hall, make sure you catch this classic, still one of the top Steven King adaptations and certainly an interesting and absorbing take from Director David Cronenberg. I predict you’ll love it.

Of course it does also have one other curious foretelling of the future, at the start of the film Christopher Walken is taking his English class and asks them to read ‘The Legend Of Sleepy Hollow’. Perhaps he knew he would go onto to play the Headless Horseman in Tim Burton’s Sleepy Hollow?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Advertisements

An American Werewolf in London #30DaysOfFright

A unique beast of a movie, An American Werewolf In London is something of a hybrid of a film. One moment it is laugh out loud funny and the next it is shriek out loud scary.

It’s hard to think of a film that has melded horror and comedy to better effect, although at the time of release apparently people didn’t really understand the shifts in tone.

london1

The film charts the journey of two American friends, David (David Naughton) and Jack (Griffin Dunne), who are backpacking across the Yorkshire Moors. It’s a memorable trip for all the wrong reasons as one is killed and the other is savaged by a werewolf. David lives but keeps seeing Jack, in various states of decomposition, warning him that on the next full moon he too shall become a rampaging werewolf. David’s visions get weirder until, finally, he transforms in the middle of London.

london6Jack’s scenes are even harder to watch knowing that the year after this film was released Dunne’s sister was murdered by her boyfriend, she had just completed work as the older sister in Poltergeist.

In many ways this is a love letter to classic Universal horror, Director John Landis is certainly a fan, even though – pulling something of a Jaws – we don’t get our transformation scene until an hour into the film.

london3That Universal-feel is perhaps best felt when our two wandering Americans stumble upon The Slaughtered Lamb pub and it falls silent. It’s a classic moment in a classic film with its pentagrams, missed dart boards, an on the money Brian Glover and a young Rik Mayall.

The lack of a lycanthrope for that first 60 minutes doesn’t mean we don’t get plenty of scares that still leave scars. The initial attack on the Moors – if only they had stuck to the road as warned – is swift but shocking, especially as moments earlier they were laughing and joking.

london2Then we have the dream sequences, particularly the – never explained but no need to as everyone was too busy being scared – vampiric David in his hospital bed, looking like an extra from Salem’s Lot.

And then there is the scene of David back home with his mum and dad and his younger brother and sister. They are watching The Muppet Show (big at the time and Frank Oz AKA Missy Piggy and Fozzie Bear is also in the film) when the doorbell rings. David’s dad answers the door to be blasted away by Nazi werewolf monster thugs. It’s the scene WTF would perfectly sum up had it existed in 1981.

london12Left field, unexpected and downright disturbing leaving a mark on its viewers – in their pants probably – and mentally for decades to come. What’s great about this though is that when David wakes up his nurse, Jenny Agutter, goes to the window and is promptly stabbed by one of the Nazi beasts. Nearly pulling the Carrie trick midway through the film. Waking up a second time David exclaims ‘holy shit.’ Too right!

london7When the full moon arrives we are instore for a cinematic treat. The transformation scene is still the best committed to film and was all done practically and in camera. No wonder the rumour is that the best make up Oscar category was created specially to honour this film and Rick Baker. And it doesn’t take place in some dark alley, it’s in a fully lit living room.

As well as being a technical marvel it really conveys the painfulness of it all. To all intense and purposes this is David’s death scene.

And there’s something that is still brilliant about the scene knowing that it was all done on set and not one pixel at a time in a computer (take note Van Helsing and An American Werewolf in Paris – lame dogs both).

london8Post transformation we have a flurry of attacks, including one that makes fantastic use of the tube and you can’t fail to think about it next time you find yourself in an empty tube station at night or deserted escalator.

With its similar time-frame, a group of memorable British character actors, its UK. Setting, it’s denial of what is unfolding and its tragic ending I always saw it as something of a companion piece to The Omen in many ways.

london10Agutter is a compelling and a memorable love interest, but it’s Doctor Hirsch who I love most out of the supporting characters. Especially when he is in full investigation mode and travels back to The Slaughtered Lamb. He always seemed a bit like the David Warner character in The Omen to me.

Although David was cursed unlike the supposed curse of the omen this film was not, although it’s dedication in celebrating the marriage of Charles and Diana didn’t do them any favours.