Tag Archives: Die Hard

Event Horizon #30DaysOfFright

event2It is the year 2047, the rescue ship Lewis and Clark is sent to intercept the Event Horizon, a spaceship that mysteriously vanished some seven years earlier but has reappeared. Where has it been, where is the crew and who what is the sinister presence on board? Now the rescue crew, including the creator of the Event Horizon, must rescue themselves before it is too late.

Poor Paul (WS – as he is now known) Anderson has had something of a rough ride on the science-fiction slipstream, with numerous Resident Evils, Death Race and Alien Vs Predator – the latter which I rather liked in a Big Daddy Vs Giant Haystacks kind of way – all drawing buckets of scorn.

For me though his finest hour (or hour and thirty five minutes) has always been the 1997 movie, Event Horizon, and seeing as it part-inspired the uber-atmospheric PS3 smash, Dead Space, I’m not the only one.

event1Essentially the movie is Hellraiser meets The Shining in space…but then the Jaws in space tag never did Alien, which it has a nod to production design and creepiness wise, any harm. And for me that is what makes the movie so much fun, that it is essentially a haunted house movie in space, which is certainly more fun and original than The House on Haunted Hill remake or GhostShip (essentially the same tale as Event but…gasp…set at sea) and certainly better than Jason X which was also set among the stars.

Featuring a stellar (or should that be interstellar) cast comprising of Sam Neill (quite literally exorcising some demons he had left over from In The Mouth of Madness) and Laurence Fishburne, Joely Richardson, a pre-Harry Potter Jason Isaacs and the always dependable Sean Pertwee.

event7Sam Neill, as the designer of the Event Horizon, Dr Weir, is quality as ever, exuding authority and charm at first, with a disturbing back story that haunts him and us for much of the film. At first he is essentially like Ripley in Aliens, has knowledge but not acceptance of the crew. But if he’s good at being good, he’s great at being evil and devilish, see the third part on The Omen trilogy, The Final Conflict, and the aforementioned In the Mouth of Madness for further proof.

Fishburne as Captain Miller, in charge of the Lewis and Clark, is a great no nonsense turn and proves quite the foil to Neill and he really convinces in his leading role.

event4The film is as beautiful as it is deadly and is filled with intrigue, jumps and gore aplenty Event Horizon raises itself above the usual fair due to some wonderful set design and visual imagery – including the mother of all zoom outs from a space station – and a fantastic gate room that is a meld of Stargate meets Hellraiser box via Contact.

Zero gravity has never been so eerie with all manner of objects floating around the titular ship…which is a star of the show in its self, with its great design inside and out, taking its design cue from Notre Dame Cathedral.

event9With elements of The Shining, Alien, The Black Hole, Hellraiser, 2001: A Space Odyssey and Flatliners this isn’t just a mishmash of what we have seen before simply set in space, it is far more intelligent than that. As a psychological space horror Event Horizon has plenty of the crimson stuff and gore, but it is that slowly building sense of dread and pulsating paranoia that gets us as much as the crew.

Adding to the general feeling of unease throughout is the score that is simply something else. Being essentially a science-fiction/horror movie the music is something else, a fantastic fusion of the work of the late Michael Kamen (who worked with Queen on Highlander and scored both the Lethal Weapon series and Die Hards) and the techno sound of Orbital, creating something that is raw and visceral and perfect for the mood of the movie. If you loved Tron Legacy’s score then this is the horror equivalent.

event6Having experienced it on the big screen when it was first released it’s a real surprise that it was something of a misfire at the box office as it really grabs you from the off and engages throughout, delivering both in the science –fiction and horror stakes in buckets (of blood).

I found it a disturbingly thrilling cinematic experience that lingers long after it has been seen, if you haven’t explored the Event Horizon then you are in for one hell of a nerve-jangling ride.

This lean and mean film more than deserves its place with such sci-fi horror classics as Alien and The Thing and certainly packs a mightier punch and more jumps than both Alien 3 and Alien: Resurrection, the latter released the same year.

event10It’s not so much in space no one can hear you scream and more if no one is on board the Event Horizon then when you scream will anyone hear it? The answer to that one is an emphatic yes. Go see it!

Advertisements

Still Truly, Madly, Deeply missing Alan Rickman

rickman 6Yesterday, Alan Rickman would have been 70. There was a audible gasp and general disbelief in the office when the sad news of his death broke back in January.

Since then it’s kind of been on a bit of a spin cycle in my head what to write.  I didn’t know him or meet him but still felt rocked by his death.

Rickman dying, to paraphrase one of his great lines from Robin Hood: Prince of Thieves, was a bit like cutting our hearts out with a spoon. Why a spoon? Because it hurts more you twit!

To most Alan Rickman will be most fondly remembered for his ‘villainous’ turns in said Prince of Thieves (ironically robbing the film from the titular outlaw), Hans Gruber from Die Hard and he gained the respect of a whole new legion of fans with his masterful Professor Snape from the Harry Potter series.

We may not feel sorrow for The Sheriff or Gruber when they meet their maker but it will be more poingnant than ever next time we can face watching the death of Severus Snape, a hero all this time.

snapeLittle wonder then that Potter author JK Rowling sculpted Snape with Rickman in mind, he quite literally was Snape and commanded your attention whenever he was on the screen. They may have been fleeting appearances but they were so powerful and obviously ultimately held such importance. Little wonder then that the man with that voice and those measured and distinctive movements was given such a pivotal role.

Indeed as a Rickman once stated, he didn’t believe that he went out of his way to play bad guys, he just played interesting characters. And those characters only became all the more interesting with Alan Rickman in their shoes.

Those shoes were particularly well-heeled in Die Hard. A film is only as good as its villain, which is absolutely why Die Hard is the daddy of the series and still a standout in the action genre, not because of John McClane  but because of how wonderfully great Rickman was as Gruber in what was his film debut.

Some debut, he was spotted for the role after winning plaudits for the equally dastardly Valmont in the Broadway production of Dangerous Liaison. He’s suave, ice cool and like a wily, suited fox. He’s also chillingly underplayed in everything from his classic shoot the glass line to the cold dispatch of  Takagi, who won’t be joining his employees for the rest of his life.

hans-gruber-fall-1080And not to mention Gruber’s memorable death fall, although that’s no acting on Rickman’s face as he is dropped some 20 feet onto an air bag in front of a green screen. His surprise is real as he was expecting the stuntman holding him to drop him on three, but to get the desired reaction he let go on the count of two.

He’d have made a wonderful Bond villain, although in reality was something of a pussycat. According to IMDB the films director, John McTiernan, had to smash cut away from Hans Gruber’s face whenever he fired a gun, because of Rickman’s uncontrollable habit of flinching from the noise and flash

Less may have been more in Die Hard but more was definitely more when it came to Rickman’s high-spirited (it really is) and BAFTA award winning performance as The Sheriff of Nottingham in Robin Hood: Prince of Thieves.

ThievesAgain we have menace and (also dashing) dastardly doings aplenty, especially in his atmospheric character introduction but there’s also a lighter comic side in his larger than life portrayl that could be described as more Panto of Thieves than Prince. It’s a fine line and he just stays the right side of it and dominates the film, certainly influencing the BBC TV show and arguably delivering one of the top two Sheriff turns along with Nickolas Grace (TVs Robin of Sherwood). Naturally I have Rickman’s action figure from the Kenner toy range, still mint on its card of course!

He also played the bad guy in Quigley Down Under, I won’t say underrated as everyone I know who has seen it loves it, let’s just say that Quigley is much under seen and if you fall into that category then shame on you/you don’t know what you are missing. Alan Rickman in a cowboy, seething in the Australian outback at Tom Selleck. What’s not to love.

senseTruly, Madly, Deeply is oft misguidingly dubbed ‘the British Ghost’ – yes it has a dead husband coming back to his wife but really is where the similarity ends.This is more of a character study and less about Hollywood sheen and more in the realm of snotty crying, but also with plenty of laughter. Rickman oozes charisma as Jamie. Romantic lead was something of a change of pace and it would be something he would return to with great aplomb for Sense and Sensibility, also starring good friend Emma Thompson.

And he would be back in the romance realm with Thompson in segments of the ensemble comedy, Love Actually. Rickman here taking on various attributes as villain of the piece-of-sorts having an affair, but also comic moments with Rowan Atkinson and still loving his wife. Again it was another interesting,rounded character.

We’d already seen Rickman’s comedic chops in the likes of Prince of Thieves with his (reportedly ad-libbed) cancelling of Christmas – we’d seen it even earlier as Kevin Kline’s artist flatmate in The January Man – and he certainly left his imprint in that genre with his turn in Dogma and with ‘that’ unmistakable voice as Marvin in The Hitchhikers Guide To The Galaxy.

galaxy questBut by Grabthar’s hammer, his lasting comedy gift to us though was in the greatest Star Trek film never made, Galaxy Quest, in his Nimoy/Patrick Stewart hybrid role as the award-winning Shakespearean actor, Alexander Dane, who is is typecast as alien Dr. Lazarus. His delivery is sublime.

Back to Truly, Madly, Deeply, Rickman ultimately shows us even in death there is life. And perhaps that is what he has left with his body of work, his life of others on the screen. They aren’t Rickman, but they are, we feel we know him, and feeling we know him and the interesting characters he inhabited, we miss him.

Like Jamie, the character he plays in Truly, we can always have him in our home. Released theatrically in the US it was shown as part of a Screen Two drama on BBC2, so it was somewhat fitting that it all kind of came full circle upon Rickman’s passing as good friend and Truly, Madly, Deeply co-star  Juliet Stevenson was interviewed live in the Newsnight studio on BBC2.

With a giant black and white image of Rickman behind her she said: “He could make you roar with laughter with a couple of words, he could be searingly insightful with just a line. He was very instinctive and a very intuitive person.”

And that in a single sentence pretty much perfectly encapsulates all of the above and captures the very essence of the man and his performances.

rickman 4Her beautiful tribute continued: “He treated everyone with the same degree of courtesy and that’s one of the reasons he’s very, very loved. He had absolutely no snobbery at all. He saw the possibilities in everybody.”

I wrote to Alan Rickman back in 2001, when he was in London on stage at the Albery Theatre in ‘Private Lives’. He showed that courtesy Stevenson spoke of to me and very kindly sent a signed black and white picture back, and that’s just one of the reasons he’s very, very loved and shall continue to be very, very missed.

Beard to the Bone – Top Ten Movie Beards

Dean Newman ditches the razors and shaving gel as he takes up some method writing as he investigates cinema and television’s love of bearded bad guys and why no discerning villain should leave home without one.

Hans Gruber
As seen in Die Hard (1988). Altogether now, “shoot the glass.” Perhaps the sharpest dressed movie villain ever, this was Rickman’s film debut and he was handpicked for the masterful role after being spotted playing the thoroughly nasty Valmont in Dangerous Liaison on Broadway. Chill at the way he offs the Nakatomi plaza boss with aplomb and cheer as he falls to his death in slow mo, the greatest such fall moment in cinematic history folks, from x amount stories high.

Mr Dark
As seen in Something Wicked This Way Comes (1983). Perhaps most shocking in this film, which deals with many dark aspects and is an effective and sometimes shocking, especially for younger viewers, thriller, is that it is from cuddly wuddly studio, Disney.

Based on a Ray Bradbury novel we see the evil Mr Dark and his circus arrive in town and promise to make everyone’s dream come true, but only at the great price of giving up their souls. A deal with the devil. And in that role is a devilishly good Jonathan Pryce, a character he haunts forever once you have seen it, especially as a child.

The Sheriff of Nottingham
Panto is perhaps the best way in which to describe Rickman’s version of Robin Hood’s foe, stealing not just his scenes but the whole darn movie. Put that in your outlaw pipe and smoke it Hooded man! Had great fun ‘cancelling Christmas’ and demanding to have people’s hearts ‘cut out with a spoon…because it will hurt more.’

Dr Hans Reinhardt
As seen in The Black Hole (1979). Essentially he’s the Captain Nemo of the piece (important not to mix the Nemo influence and Captain Birdseye up, as he’s more likely to turn children into fish fingers than feed them to them). Like all good captains he goes down with his ship. In fact he is that evil that he even has Norman Bates himself offed!

Hugo Drax
As seen in Moonraker (1979). For me this is a real guilty pleasure and Drax, a superb Michael Lonsdale, delivers some of the finest Bond villain lines such as: “Mr Bond, see that some harm comes to him.” Takes a giant leap for mankind in a classic Bond death as he is jettisoned into space.

The Master
As seen in Doctor Who (1963 – Present). Not the latest incarnation, as (over) played by John Simm or the diabolical TV movie, as (over over) played by Eric Roberts, but as masterfully portrayed by both Roger Delgado and Anthony Ainley. At this time The Master was very much the Moriarty to The Doctor’s Sherlock Holmes and this will forever be The Master’s most iconic appearance. In fact he also had a beard as portrayed by Jonathan Pryce in the Comic Relief spoof “The Curse of Fatal Death.”

General Zod
As seen in Superman 2 (1980). Kneel before Zod! His Geography might not be up to much (planet Houston anyone) but his boo hissness and delivery makes the General, as portrayed by Terrence Stamp, the greatest comic book big screen villain ever, yes even better than Ledger’s Joker.

Stamp is clearly having fun playing it oh so straight and camp at the same time and who doesn’t wince at that hand crunching scene. The only shame is that they never found a way of bringing him back. I mean, Richard Pryor and Nuclear Man, c’mon! Stamp’s Zod is also just so iconic.

Ming
As featured in Flash Gordon (1980). He’s supreme Emperor of planet Mungo and merciless don’t you know. Sporting more than a passing resemblance in beard to Fu Man Chu the 1980 experience was a veritable clash of the beards, Ming’s to the left and the beard of the leader of the Hawkmen, as wrapped around the bombastic chops of one Brian Blessed, to the right.

He amuses himself by destroying other planets in the solar system, has numerous concubines, kills anyone who gets in his way and seems to have a thing for S&M with all those outfits about. All good clean family fun then. Go Flash, go!

Evil Twin Beards
As seen in Star Trek and Knight Rider. The mirror universe of Star Trek more or less gave us the cliché of the Evil Twin with a Beard of Evil, as evil Mr. Spock has a goatee, how illogical!

Also enter, driving K.A.T.T., Michael Knight’s Evil Twin, Garthe Knight, sporting a beard of evil. It has to be noted that the car didn’t sport an LED beard of evil. Personally, I think every TV show should have an episode with a goatee wearing Evil Twin, even the female characters! I’m not sure what that says about those episodes of Friends with a goatee wearing Chandler though. Hmmm.

I could do with a beard myself, to stroke, as I ponder that very thought.