Tag Archives: The Final Conlict

The Omen #30DaysOfFright

An American diplomat’s wife loses her baby in childbirth; he is replaced by an orphan baby. A series of strange and deadly accidents occur around the family, could the spoutings of a mad clergyman be correct, can five year old Damien Thorn really be the son of the devil? Having initiated the switch at birth his father now teams up with a photographer to discover the horrific truth. Can they stop the forces of evil before they become another accident?

o16The devil had already become something of a movie star in Hollywood, thanks to Rosemary’s Baby and The Exorcist, The Omen saw him reach a box office high. I’ve always had a fascination with The Omen since I bought the trilogy as part of the Fox All Time Greats collection in 1987 from Woolworths in York.

We were on holiday there over Easter (irony) and what made that trip all the more memorable is that we also visited Fountains Abbey in Ripley, Yorkshire, which is where the finale of The Final Conflict takes place. Those VHS tapes took a serious hammering and I read the original books and the two further book sequels that followed.

These continue directly after the ending on the third film and were entitled Omen IV: Armageddon 2000 and Omen V: Abomination, both penned by Gordon McGill, who also wrote the adaptation of The Final Conflict.

The Omen has been a part of my life since I was at least 11 and, save for Jaws, is my favourite horror-related film. Like Jaws you could say that it taps into the disaster movie genre that was so big at the time with the likes of The Poseidon Adventure, Earthquake and The Towering Inferno.

omen10Post-Watergate it’s also akin to the conspiracy thrillers of the period such as All the Presidents Men, Klute, Three Days of the Condor, Capricorn One and The Marathon Man. It probably shares most of all with The Parallax View as Robert Thorn (Gregory Peck) uncovers something so vast it is almost hard to comprehend, and like Warren Beatty’s character in Parallax, everyone he comes into contact with comes to a sticky end. You could even say that in many ways the endings are very similar.

It is a fantastical idea and one that is writ large. The Exorcist was about a girl in her bedroom and set in one house, this is about the man who could be the next President of the United States. It’s something referenced by Kathy Thorn when she hears her husband has got the job of US Ambassador to Great Britain, a position once held by none other than JFK.

The Omen is set in the heart of the world of politics and takes place in London, Rome, Israel and er Windsor Zoo. It’s practically the James Bond of horror with its globetrotting. I guess The Da Vinci Code and their sequels do the same sort of magical mystery tour thing today.

omen4Whether you believe the story that 2000 years after the birth of Christ a comet that shines in the opposite place in the sky to that of the star of Bethlehem heralds the birth of the anti-Christ is one thing but the one thing you do believe is the performance of Gregory Peck. We follow it because he does, we share his idea that it is preposterous and then the slow realisation that this is all true.

The discovery in an abandoned graveyard that his son was murdered at birth and that the mother of the child he is raising is a jackal is compelling and heart wrenching. It’s all the more poignant as the year prior to filming Peck had lost one of his own son’s to suicide, something which he blamed himself for not being able to stop. Peck is of course an incredibly gifted actor and carries a huge amount of gravitas and that amazing voice. He is Abe Lincoln, he is Atticus Fitch, we will believe in him. With an actor of less stature it simply would not have worked.

The key moment where he receives a call to say that his wife has died, that phonecall he receives after she has gone out the window is crippling. He really has nothing to lose. All is lost.

And then there is that cold, numbed reciting of the “when the Jews return to Zion” poem as he lays motionless on the bed.

o15Peck is ably supported with former Dr Who, Patrick Troughton, in a fantastically memorable part as Father Brennan, David Warner as the photographer was something of a hero when I was younger and he’s great in this. And then there’s Mrs Baylock, if Damien is the anti—Christ then she is the anti-Poppins, no one had arranged for her to arrive either. She exudes quiet menace and malevolence at first; her final scenes raise the shock level to their peak.

o14The film also looks amazing in its widescreen which is used to brilliant effect utilising it to its full advantage and creating some mesmerising imagery that really set it apart. As well as the frame impressing so does the action taking place within in.

Director Richard Donner constructs some still impressive set pieces; it must have surely secured him directorial duties on Superman: The Movie two years later, in fact the Daily Planet helicopter incident could have come straight from The Omen.

omen2First there is the nanny, played by Jack Palance’s daughter, taking a rope-assisted dive from the Thorn mansion during Damien’s fifth birthday party, the way she falls and snaps back into that glass is horrible.

A suddenly windy day will always evoke thoughts of Patrick Troughton prior to getting spiked by a church spire; this was probably the only decent scene in the 2006 remake, Troughton’s role played with vigour by Pete Postlethwaite.

o12Kathy Thorn’s fall from the balcony whilst pregnant is also fantastically taut, and the scene is brilliantly executed, along with the goldfish. The effect of the camera following on the way down is still amazing. It’s my favourite single shot after the reverse zoom and simultaneous dolly shot on Chief Brody in Jaws.

And of course the decapitation by sheet of glass, with David Warner doing his own version of the head spin. You think you see more than you do the blood you think you see is pots of paint. For such a film with so many nasty deaths it’s surprisingly devoid of any real blood.

o11I also really love the set for the cemetery, it’s like a grandiose set from a classic universal horror film, it looks fantastic, gothic and moody. And then the devil dogs attack, as a scene it is relentless, as is the Goldsmith score which kicks into high gear. It’s Hound of the Baskervilles turned up to 11, is dripping with menace and quite frankly is absolutely knackering. Not that there is much time to get our breath back for the remainder of the film.

omen5Like Jerry Goldsmith’s score, the only one he won an Oscar for, the film just continues to build into a crescendo, become more frenetic and consuming. That’s what it does to Thorn and us; it needs to do that to convince us that he should kill a child.

Would we be able to do the same if we knew he was the son of the devil, even Peck hesitates as the child pleads “please, daddy, no!” It was always a difficult watch, even more so having a daughter around Damien’s age.

Peck is armed with the daggers of Megiddo, which have to be the coolest weapons of all time, I’d so pay to see Indiana Jones and the Daggers of Megiddo. But they do him no good, he is stopped with a policeman’s bullet, it’s downbeat but masterful.

omen1 We can hardly believe that Gregory Peck has failed. Or has he? We then see two coffins, one for Robert Thorn and his son, Damien? No, the camera slowly pulls back to reveal a small boy is holding the hand of the president. The little boy turns with a smile that breaks across his face, it is Damien.

The film may have dated a little but there is still no denying the power of The Omen, even after all these years, it’s still devilishly good.

And the story goes that if The Omen had not been the success it had been for Fox then they wouldn’t have been able to spend extra money on bailing Star Wars out. That’s what you call the real power of the dark side.

 

Advertisements

Event Horizon #30DaysOfFright

event2It is the year 2047, the rescue ship Lewis and Clark is sent to intercept the Event Horizon, a spaceship that mysteriously vanished some seven years earlier but has reappeared. Where has it been, where is the crew and who what is the sinister presence on board? Now the rescue crew, including the creator of the Event Horizon, must rescue themselves before it is too late.

Poor Paul (WS – as he is now known) Anderson has had something of a rough ride on the science-fiction slipstream, with numerous Resident Evils, Death Race and Alien Vs Predator – the latter which I rather liked in a Big Daddy Vs Giant Haystacks kind of way – all drawing buckets of scorn.

For me though his finest hour (or hour and thirty five minutes) has always been the 1997 movie, Event Horizon, and seeing as it part-inspired the uber-atmospheric PS3 smash, Dead Space, I’m not the only one.

event1Essentially the movie is Hellraiser meets The Shining in space…but then the Jaws in space tag never did Alien, which it has a nod to production design and creepiness wise, any harm. And for me that is what makes the movie so much fun, that it is essentially a haunted house movie in space, which is certainly more fun and original than The House on Haunted Hill remake or GhostShip (essentially the same tale as Event but…gasp…set at sea) and certainly better than Jason X which was also set among the stars.

Featuring a stellar (or should that be interstellar) cast comprising of Sam Neill (quite literally exorcising some demons he had left over from In The Mouth of Madness) and Laurence Fishburne, Joely Richardson, a pre-Harry Potter Jason Isaacs and the always dependable Sean Pertwee.

event7Sam Neill, as the designer of the Event Horizon, Dr Weir, is quality as ever, exuding authority and charm at first, with a disturbing back story that haunts him and us for much of the film. At first he is essentially like Ripley in Aliens, has knowledge but not acceptance of the crew. But if he’s good at being good, he’s great at being evil and devilish, see the third part on The Omen trilogy, The Final Conflict, and the aforementioned In the Mouth of Madness for further proof.

Fishburne as Captain Miller, in charge of the Lewis and Clark, is a great no nonsense turn and proves quite the foil to Neill and he really convinces in his leading role.

event4The film is as beautiful as it is deadly and is filled with intrigue, jumps and gore aplenty Event Horizon raises itself above the usual fair due to some wonderful set design and visual imagery – including the mother of all zoom outs from a space station – and a fantastic gate room that is a meld of Stargate meets Hellraiser box via Contact.

Zero gravity has never been so eerie with all manner of objects floating around the titular ship…which is a star of the show in its self, with its great design inside and out, taking its design cue from Notre Dame Cathedral.

event9With elements of The Shining, Alien, The Black Hole, Hellraiser, 2001: A Space Odyssey and Flatliners this isn’t just a mishmash of what we have seen before simply set in space, it is far more intelligent than that. As a psychological space horror Event Horizon has plenty of the crimson stuff and gore, but it is that slowly building sense of dread and pulsating paranoia that gets us as much as the crew.

Adding to the general feeling of unease throughout is the score that is simply something else. Being essentially a science-fiction/horror movie the music is something else, a fantastic fusion of the work of the late Michael Kamen (who worked with Queen on Highlander and scored both the Lethal Weapon series and Die Hards) and the techno sound of Orbital, creating something that is raw and visceral and perfect for the mood of the movie. If you loved Tron Legacy’s score then this is the horror equivalent.

event6Having experienced it on the big screen when it was first released it’s a real surprise that it was something of a misfire at the box office as it really grabs you from the off and engages throughout, delivering both in the science –fiction and horror stakes in buckets (of blood).

I found it a disturbingly thrilling cinematic experience that lingers long after it has been seen, if you haven’t explored the Event Horizon then you are in for one hell of a nerve-jangling ride.

This lean and mean film more than deserves its place with such sci-fi horror classics as Alien and The Thing and certainly packs a mightier punch and more jumps than both Alien 3 and Alien: Resurrection, the latter released the same year.

event10It’s not so much in space no one can hear you scream and more if no one is on board the Event Horizon then when you scream will anyone hear it? The answer to that one is an emphatic yes. Go see it!